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We'll sing any song if it's great, but not just because it happens to be written by our bass player. Notwithstanding these previous tensions, Taylor would later assert that his dismissal served as a proxy for renewed conflict between Stills and Young in the aftermath of Reeves' firing. Shortly thereafter, drummer John Barbata formerly of The Turtles was hired for the remainder of the tour and associated recordings.

A week before the Denver performance, Young and Crosby were staying at a house near San Francisco when reports of the Kent State shootings arrived, inspiring Young to write the protest song " Ohio ".

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Recorded and rush-released weeks later with the new rhythm section, it peaked at 14 in August , providing another American Top 20 hit for the group. As the show tour progressed, the tenuous nature of the partnership was strained by Stills' alcohol and cocaine abuse and perceived megalomania , culminating in an extended solo set not countenanced by the other band members at the Fillmore East when he was informed that Bob Dylan was in the audience.

Following his reinstatement, the tour ended as scheduled in Bloomington, Minnesota on July 9, ; however, the group broke up immediately thereafter. Concert recordings from that tour assembled by Nash produced the double album 4 Way Street , which also topped the charts during a week stay. Although they would continue to collaborate in various and largely ephemeral permutations, the four members would not come back together in earnest until their reunion tour.

Stills was the first to release a second post-CSNY solo album, 's Stephen Stills 2 , which included two minor hits "Change Partners" [ 43]; "Marianne" [ 42] and peaked at 8. In the fall of , Crosby and Nash embarked on a successful theater tour accompanied only by their acoustic guitars and a piano, as captured on the archival release Another Stoney Evening. Young achieved solo superstardom with the chart-topping Harvest and two Top 40 singles, the 1 hit " Heart of Gold " and " Old Man " Nash and Young released Young's " War Song " as a joint single to support George McGovern 's presidential campaign; despite their intentions, the single failed to make a serious impression.

Meanwhile, Nash and Crosby's touring was so successful and pleasant for them that they recorded and released their first album as a duo, Graham Nash David Crosby , which eclipsed their recent solo efforts with a Top 40 hit Nash's " Immigration Man " [ 36] while also peaking at 4. The group members fared less well in Young recorded two dark albums. A critical success despite his personal misgivings, it attained a RIAA gold certification before stalling at The second album, Tonight's the Night , was so dark that Reprise Records refused to release it until Although it is widely regarded as his magnum opus , it only reached Crosby spearheaded and produced a reunion album of the original Byrds quintet which was a notable critical failure upon its release in March The most commercially successful Byrds album since , it sold only marginally well by CSNY's standards, peaking at Stills released a second Manassas record in April and Nash recorded his second solo album released in January ; again, neither disc sold to expectations, peaking respectively at 26 and In June and July , Crosby, Stills, Nash, and Young met at Young's ranch in California and a recording studio in Hawaii for a working vacation, ostensibly to record a new album, tentatively titled Human Highway.

However, the bickering that had sunk the band in quickly resumed, scattering the group again. After spontaneously reconvening for an acoustic set at a Manassas concert at San Francisco's Winterland Ballroom in October, the quartet failed once again to commit to a reunion; however, three days later, the CSN configuration performed an acoustic set at another Manassas Winterland show. The tour was directed by San Francisco-based impresario Bill Graham. Fresh off the large-scale indoor arena tour he had developed for Bob Dylan 's return to the spotlight earlier in the year, Graham interspersed now-routine arena bookings including Nassau Coliseum and Capital Centre with large-scale concerts that exploited the capacity of baseball and football stadia such as the Oakland—Alameda County Coliseum and Rich Stadium , directly presaging the "stadium rock" milieu that was rapidly normalized following the success of Graham's Day on the Green series.

In line with the new scale of the performances, the band typically played up to three and a half hours of old favorites and new songs. Opening acts included such luminaries as Mitchell who occasionally sat in during the acoustic and semi-acoustic interlude that bridged two electric sets , Santana , The Band , The Beach Boys and Jesse Colin Young. In particular, Crosby was disillusioned by the bombastic nature of the performances, which he collectively dubbed the "Doom Tour": "We had good monitors, but Stephen and Neil were punching well over db from their half stacks.

Graham and I simply couldn't do the harmonies when we couldn't hear ourselves. Also, when you play a stadium you almost have to do a Mick Jagger where you wave a sash around and prance about. I can't quite do that. We did what we could, but I don't know how many people in the audience really got it.

A lot of them were there for the tunes. When we'd start them, they'd hear the records. They opted at the time not to release any recordings of the tour for an album, with Nash maintaining that "[the] main feeling at the end of the tour was that we weren't as good as we could have been. While the foursome would have the press believe that their characteristic arguments were a thing of the past, excesses typical to the era took their toll.

Under the stewardship of Graham's production company, the tour was plagued by profligate spending, exemplified by a litany of pillowcases embroidered with the band's new Mitchell-designed logo and the routine chartering of helicopters and private jets in lieu of ground transportation.

Nash would later recall that "the tour made just over eleven million dollars, which of course was a lot of money in those days.

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We all got less than a half million each. It was obvious that between Bill Graham, the promoters and a bunch of others, they all had a good time. Let's just put it that way. They just got down on the floor and sniffed it off the carpet.

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I just went, 'Oh my God, this is so weird. They probably don't remember that. Someone could have said to me, 'Hey, your leg's on fire. It was insane. Stills—who befuddled his colleagues by claiming to have participated in clandestine Vietnam War missions as a member of the United States Marine Corps during his tenure in Buffalo Springfield—began supplementing his trademark wardrobe of football jerseys with military fatigues.

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This chagrined several employees and band members; according to Nash, "Often I would knock on his hotel door, which he kept propped open with a security jamb, and he'd be getting blown by both of those girls, all while he was talking and doing business on the phone and rolling joints and smoking and having a drink. Crosby had incredible sexual energy. It got to be such a routine scene in his room, I'd stop by with someone and go, "Aw, fuck, he's getting blown again. Oh, dear, let's give him a minute. Although each member performed new songs that later appeared on solo and duo studio releases, Young premiered over a dozen songs including several from On The Beach , which was released during the tour in one of the most creatively fertile phases of his career.

He would later assert to biographer Jimmy McDonough that "the tour was disappointing to me. I think CSN really blew it How could they just stop like that? While Nash viewed the re-shuffling of items from only two albums and one single typified by the exclusion of his "Marrakesh Express", a Top 40 hit as absurd, it eventually topped the Billboard album chart in November.

While several songs were completed and recorded including Young's "Human Highway", still envisioned as the provisional title track; a take of Crosby's "Homeward Through the Haze" with Crosby on piano and Lee Sklar on bass; and Nash's anti-whaling opus "Wind on the Water" , Young left once again following a tumultuous argument. While Crosby, Stills and Nash augmented by a variety of session musicians, including Sklar, Kunkel and Grateful Dead drummer Bill Kreutzmann attempted to complete the album as a trio effort, the feud between Stills and Nash resurfaced, resulting in Stills destroying the master of "Wind on the Water" with a razor blade after Crosby and Nash objected to a harmony part on Stills' "Guardian Angel".

Even though Stills characterized the razor blade incident as a joke, the sessions promptly dissolved.

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Shortly thereafter, Crosby and Nash signed a separate contract with ABC Records and began to tour regularly again, playing a more intimate array of sports arenas, outdoor festivals and theaters. Meanwhile, Stills and Young returned to their own careers. Waiting at their next stop in Atlanta , Stills received a laconic telegram: "Dear Stephen, Funny how things that start spontaneously end that way.

Eat a peach. Stills was contractually bound to finish the tour alone, though Young would make up dates with Crazy Horse later in the year. Having peaked at 6 in , Wind on the Water was the only disc by any permutation of the quartet to chart in the Billboard Top Ten following So Far.

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Recorded at Criteria Studios in Miami under the auspices of Ron and Howard Albert throughout late and early , the album exemplified the meticulously stylized soft rock production ethos of the epoch and contained the band's highest-charting single, Nash's " Just a Song Before I Go " 7 ; Stills' "Fair Game" also peaked at The album peaked at 2 on the Billboard chart in the summer of during a week stay, remaining at that position for the month of August and ultimately earning a RIAA quadruple platinum certification behind one of the best-selling LPs of all time, Fleetwood Mac 's Rumours.

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